Drive-By Truckers frontman explores his
past, present & future on sophomore solo outing
Patterson Hood wrote half the songs on
this new album in 1994, fresh off a bitter divorce; the rest he wrote
around 2004 while happily married with a newborn child. The resulting
collection of story-songs meanders between these distinct moods,
hinting at the cynical struggles of Hood’s past and the joy,
contentment and optimism he now embraces. This dichotomy is mirrored
by the blend of filthy guitars and lucid, hopeful piano on
“Pollyanna”; by the scathing sarcasm of “Screwtopia” (a
deadpan swipe at suburban emptiness) and the gentle sweetness of
“Grandaddy” (Hood’s picture-perfect vision of old age).
Recorded with go-to DBT producer David Barbe, Murdering Oscar
features the entire Truckers lineup, plus Hood’s father—legendary
Muscle Shoals session player David Hood—and members of
Centro-Matic. With redneck-underground country, slightly detuned
minor-key Southern rock, grungy Crazy Horse-indebted lopers and
Stonesy rockers, there’s a little of everything Hood’s done so
far, plus a few dashes of discovery—bleak, uncharacteristic piano
waltz “Pride of the Yankees” is a lyrical high-water mark, as
Hood pickpockets disparate religious, literary and pop-cultural and
references, reassembling them into a moving collage that tells an
entirely new story.