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• MusicThe Curmudgeon: Is There Room in Rock 'n' Roll for a Second Act? By Geoffrey HimesFebruary 15, 2023
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• MusicForgotten Giants: Doc Pomus By Geoffrey HimesJanuary 18, 2023
• MusicThe Curmudgeon: Taylor Swift, Lizzo & Maggie Rogers Show How Substantial "Pop Music" Can Be By Geoffrey HimesDecember 28, 2022
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• MusicRemembering Christine McVie: Hiding in Plain Sight By Geoffrey HimesDecember 1, 2022
• MusicAshley McBryde Is Playing an Insider/Outsider Game By Geoffrey HimesNovember 21, 2022
• MusicBob Dylan Dissects the Popular Song By Geoffrey HimesNovember 17, 2022
• MusicOverlooked Americana Women from the Turn of the Century By Geoffrey HimesNovember 15, 2022
• MusicBonny Light Horseman: Old Songs Made New, New Songs Made Old By Geoffrey HimesOctober 7, 2022
• MusicLoretta Lynn: More Than Just a Coal Miner's Daughter By Geoffrey HimesOctober 4, 2022
• MusicAt Americanafest and Bristol Rhythm & Roots Reunion, a Cross-Section of Americana By Geoffrey HimesSeptember 28, 2022
• MusicSusan Tedeschi, Derek Trucks and The Myth of Layla By Geoffrey HimesSeptember 6, 2022
• MusicThe Last Survivors of a Bygone Blues Age By Geoffrey HimesAugust 11, 2022
• MusicThe Drive-By Truckers Confront Their "Wilder Days" on Welcome 2 Club XIII By Geoffrey HimesJuly 26, 2022
• MusicAt Montreal Jazz Festival, a New Generation of Jazz Masters Takes the Stage By Geoffrey HimesJuly 19, 2022