• MoviesBlue Collar: How Paul Schrader’s First Film Was Almost His Last By Mitchell BeaupreFebruary 10, 2023
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• MoviesThe Familiar Familial Fractures of The Savages By Mitchell BeaupreNovember 28, 2022
• MoviesJustice for Halle Berry’s Die Another Day Spin-Off By Mitchell BeaupreNovember 22, 2022
• MoviesBefore the Devil Knows You’re Dead Sent Sidney Lumet Out on a High Note By Mitchell BeaupreOctober 26, 2022
• MoviesThe Search for Hope in Paul Schrader's Light Sleeper By Mitchell BeaupreAugust 22, 2022
• MoviesKentucky Fried Carnage: The Twisted Delights of Killer Joe By Mitchell BeaupreJuly 27, 2022
• MoviesFat City at 50: John Huston's Ode to the Down-and-Outers By Mitchell BeaupreJuly 26, 2022
• MoviesHow 4:44 Last Day on Earth Helped Me Process My Mortality By Mitchell BeaupreMarch 23, 2022
• MoviesThe Death of Love in Michelangelo Antonioni’s La Notte By Mitchell BeaupreFebruary 19, 2022
• MoviesThe Controlled Chaos of Dennis Hopper By Mitchell BeaupreFebruary 8, 2022
• MoviesThis Is America: How The Good Shepherd Examined the Rot at the Core of a Country By Mitchell BeaupreDecember 22, 2021
• MoviesElaine May Perfected Dudes Rock Cinema 45 Years Ago with Mikey and Nicky By Mitchell BeaupreDecember 21, 2021
• MoviesThe Hard Part’s Getting Away: The Versatility of Gene Hackman, as Seen through His Five 2001 Films By Mitchell BeaupreNovember 8, 2021